I know it’s been too long since I’ve
written – I’ve been busy and frustrated with the dress design. I can’t get the sword printed in the
right spot on fabric and it looks like I’ll have to screen print. Damn, another
skill I don’t have.
It’s Christmas. If I lived in America and knew the Griswalds I’d be
surrounded by Christmas jumpers (sweaters) and various disgusting Christmas
outfits. The closest we get to
this in Australia are horrible Christmas earrings. I hate Christmas clothing, even with irony in mind. We all know it’s Christmas – don’t wear
it.
Now Maggie Tabberer has an
interesting way of controlling the family Christmas: she makes everyone wear
white.
There’s something about
(Holy) white at Christmas that is much more appealing than green and red,
especially in Australia (though not Bob and Blanche style). Then again I’ve completely contradicted
myself by saying I hate Christmas themed clothing but it’s okay because it’s
white. Good thing this is a blog
and not something to be marked.
I realized I was making something
Christmassy when I put two white muslin baby wraps together and made a draped
nighty the other day. It’s a bit
like a shroud. Or an outfit for
the baby Jesus.
The shroud nighty got me wondering about
what I would wear to my own funeral. I'm fun that way.
What would be good enough to wear to be buried in but not good enough to
be passed on to my children/grandchildren? Hopefully that decision is a long
long way off. (But anyway, a good
nighty is probably an excellent compromise.)
Clothes of the dead are vital for memory
and history, especially when they belonged to an old friend, an old aunt or
grandfather. So many clothes get
turfed after someone dies and I’m always the one shoving them in a garbage bag
and putting them under a bed. Some
clothes I wear, but mostly they’re too small (Nan Blackwood) or too tall (Aunt
Nell). When I first carried Aunt
Nell’s small handbag I could actually feel her long thin fingers in the worn
strap.
The body with its warmth and life breathes
its shapes into clothes – bumps, asymmetry, curves and dents. That’s how clothes are actually
alive. I have some really exquisite
vintage clothes bought when they were affordable. So often I wonder who died in this, who lived in this, who
had this made.
For these reasons clothes ARE sacred
things. I’m so annoyed about not
being able to get on with the dress I think I’ll simply start ordering fabric
for scarves and hand-hem them. Fingers crossed they can be sacred objects too.
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